Stepping Over

I purchase my first digital camera in 2010, a Canon 5D11.  My background has always been working with a large format camera and the new smaller digital camera felt more like a toy to me than a real camera. I spent the next year working in the field with my view camera as well as using the new digital equipment.  I had to convince myself that I could made an acceptable image with the digital equipment as I could with my more traditional film cameras.  I have always enjoyed making photographs long after the sun has set using long exposures of several minutes or more.  I feel this is the best time of day to capture the soft glow of the light that is present.  I remember making this image first with my view camera setup and then switching over to the digital camera.  It was no easy task to carry double the equipment with me when going into the field to photograph but I felt the need to do it for myself.  I wasn't ready to abandon my film unless I could capture an image that had the soft glow of light that I was use to in my images.  My Photoshop skills are limited when compared to other photographers I come in contact with.  My approach when processing a digital image is apply to my thought pattern of when I was making a print in the darkroom.  I had a very disciplined approach to my work where I only made one change to the print at a time and then analyze if that was a step in the right direction or not.  If I took a wrong turn I had only one step to backup and start the process over over.  It takes restraint to work like this because we all want to see the final image quickly, but the slow and thoughtful approach will produce more satisfying images in the long run than making a multiple changes all at once.  I made this image in Texas at Mckinney Falls state Park just south of Austin.  It was during a severe drought and the falls were mostly dried up but it was still an enjoyable place to visit. 

http://www.tpwd.state.tx.us/state-parks/mckinney-falls

Joshua Tree N.P.

We camped in Joshua Tree National Park during the winter a few years back to hike and photograph.  The park consist of nearly 800,000 acres wilderness land to explore. Visiting the park in the winter gives you plenty of opportunities to hike without numerous other hikers around. The days were bright and sunny but the nights were frigid with temperatures dropping into the 20's.  The above pictures were taken at a well know location called jumbo rocks.  I arrived at the location an hour before sunset and waited until the sun was starting to set.  The wind was blowing and my fingers and ears were nearly frost bit from the strong north wind and cold temps.  The last glow of the setting sun gives the rocks a red fiery glow that is spectacular. The top image was taken while the sun was still on the lower rocks while the bottom image was made by slightly changing my camera location and waiting until the sun was off the foreground rocks.  I prefer the bottom image with the soft glow of the foreground and the better geometric shape of the rocks.  If I wasn't half frozen I would have stayed until the sun was completely set and continued to make some long exposures to see I how could further capture and interpret the scene.


http://en.wikipedia.org/wiki/Joshua_Tree_National_Park

http://www.nps.gov/jotr/index.htm

Abandon Structure

It seems I can never pass an old abandon structure in my travels.  There is a fascination of knowing what is inside.  I found this old adobe building somewhere around Terlingua Texas.  I often wonder what became of the people who lived there.  At one point in time it was someones hopes and dreams come true.  A new beginning with a sense of security only a home can bring.  Time and people move on, but old buildings remain with the marks of time and the people who lived there.  I made this photo with a Canon 5D11 using HDR exposure to capture the extreme latitude of the lighting in the scene.


http://en.wikipedia.org/wiki/Terlingua,_Texas
http://ghosttowntexas.com/terlingua.html

Lava Fields

We have recently moved into a new home after being on the road for 3 1/2 years in a motorhome.  The past few months have been full of busy days setting up a house again.  Our belongings sat in climate controlled storage for so long we had forgotten what we owned.  Most of the storage locker was filled with my large format photography prints and negatives.  I always had a worry in the back of my mind about the safety of storing my life's passion in a facility that I had no control over.  I wept the day I finally opened my boxes of fine prints after years of them sitting in the dark.  It was good to see my old friends again.  We became attached to the images we create for numerous reasons.  They connect us to who we are and the person we were.  They reflect the places we have traveled and the people we came in contact with.  They are our hopes, successes, and failures we all deal with in pursuing our dreams.  This is a scanned image of a print I made years ago in Death Valley.  I remember the day and experience as if it was yesterday.  As photographers we live within our images because of the time we have spent with them.  I now have this image hanging above me on the wall.  It is out in the light again, free, as it should be.  I am again surrounded by my friends that make up my life.

Balance

This is a scanned image from one of my darkroom prints.  The original print is a 11x14 and it was selenium toned and dry mounted before scanning.  There is always a lot of noticible dust and image quality lost with the scanning process.  The scanned image usually requires a lot of work in Photoshop to get it to look close to the quality of the original.  I also work with a fluid mount scanning process of my large format negatives.  It renders a better image quality but still requires a lot of work to process the image to get the final image.  When working with Black and White images, controlling the contrast (tonal range) and tonal balance (evenness of tones) is one the most important part of the process.  In this image the light is contrasty and uneven.  The subject is defined by the shapes and shadows on the sand.  The low angle light is both direct and reflective creating a difficult image to balance the tones. Back in my darkroom days when I was close to a having a finished print I would always flip the wet print upside down on my viewing board to look for the overall tonal balance of the print.  I found that looking at the print this way let me focus on just the tones and not the subject matter of the image.  I could easily see where I needed more dodging or burning to the print to help balance the overall look of the final image.  I still do this as a final step with my Photoshop work today.  I process the image using numerous tools and layers to get a satisfactory image and then as a last step I rotate it 180* to check the overall tonal balance to the image.  I am usually surprised how out of balance the inverted image can be. 

Face in a wall

While hiking in a remote canyon in Big Bend Texas I came across this demon face in a rock wall. I could have easily past by and not have noticed the twisted face looking at me.  It was when I took a rest in a shaded alcove that I saw the image starring at me from from across the narrow canyon.  Hiking alone in the wilderness can sometimes be a soul searching experience.  Walking in the quiet desert where the only sound is the crunch of the gravel under your boots can clear your mind of unwanted thoughts.  Sometimes certain canyons have a strange feel to them that is hard to explain. This particular canyon was one of those and after sitting across from this face for several minutes I had an uneasy feeling and decided to move on.

Gleeson Ghost Town

In a remote area of Cochise County in southern Arizona is the old mining town of Gleeson.  It was once called Turquoise because of beautiful turquoise stone that was mined by the Indians for trade.  Later the area was mined for copper and silver and the town had a population of 500 people.  When the mining ran out the town died and became a ghost town.  Gleeson is like many old mining towns in the West with a erie quietness surrounding it.  It is always fun to locate these remote old mining towns and look at the old buildings and equipment that has been abandon for years.  This photo is of the old Gleeson Saloon, one of the few buildings left standing in the town.  I use a few filters in Photoshop to give the image a look and feel of an abandon building found in a remote ghost town.

http://en.wikipedia.org/wiki/Gleeson,_Arizona