The never ending learning curve

It seems today that technology keeps changing at a faster rate.  The camera equipment, processing software, and computers seem to be in a non stop upgrade cycle.  While I enjoy new technology, it does start to become like a dog chasing its tail.  I think I spend as much time learning the changes that come with all of these upgrades, as I do processing images.  The most important thing I keep my focus on is that the look of the finished print remains consistent.  I recently have been migrating away from my trusted Canon system and moving into the Sony mirrorless camera system.  There are several reasons for my doing this.  First is my desire to photograph from a kayak and to be able to get sharp images. The Sony has an in camera five axis stabilization system that is amazing.  Next, as I get older I need to reduce the amount of weight I am carrying around with me.  The Sony is a much smaller system than the standard DSLR and lets me carry a much lighter tripod.  While it is not the prefect system it does have some innovative technology that is changing the way we photograph.  I made this image a couple of days ago on one of my favorite lakes near me.  I used the Sony A7R11 with the 16~35mm lens.  It is a great combo for being out on the water.  I recently purchased a Zeiss Batis 18mm f2.8 fixed lens made for the Sony full frame system.  I have always used prime lenses as a large format photographer and know they will always out perform a zoom lens for quality.  Dealing with changes are all a part of life.  The important thing is to maintain your vision as you adapt to the rapid technology changes of our medium.  

Iceland Waterfalls

There are so many waterfalls in Iceland to search out when traveling around the country.  They are mostly all fed from the glaciers in the central part of the country.  Some are very popular and visited by large groups of tourist from all over the world, and it can be a challenge to do much photography.  There are plenty of off road waterfall locations to look for if you have the desire to do a little research to find them.  This particular falls was located in a rural area and was a short hike down a cow path the the river.   The water in the river is a turquoise-blue color and was a fascinating sight to see when I first sighted the river and the falls on my hike.  I dream of these kind of places and hope to discover more locations like them on future trips. 

Hofn Iceland

Traveling around in Iceland there are many spectacular locations to photograph.  The land is open with long vistas of dramatic landscapes.  While in the the town of Hofn I looked around for a location near the ocean to capture some of the stormy skies of the day.  The beaches in this area consist of black sand from volcanos that have erupted over the years.  The reflecting light on the black sand provides an interesting foreground for the mountain range in the background.  The weather conditions were rapidly changing on this particular day but I still had to wait considerable time for the clouds to clear the peak of the mountain.  I made several images in this location and all of them have a very different look with the moving clouds around the mountains and changing tides of the ocean. 

Juxtaposition

Juxtaposition is to place two concepts, characters, ideas, or places near each other to contrast them.

While I was in Iceland I searched for natural settings to capture the beauty of this majestic and isolated land.  I traveled the coastline and ventured into the central mountain areas in search of interesting subjects.  While traveling on the far eastern coastline I came into the small town of Djupivogur.  I stumbled on to the artwork called Eggin i Gleovik, "The eggs of Merry Bay".  The artwork consist of 34 eggs on pedestals, each one representing a bird species that live in the area.   As I walked around these sculptures I came to appreciate how they were placed to contrast with the surrounding landscape of water, mountains, and sky.   It is always a challenge to find new and interesting things to photograph as a landscape photographer.  It takes hours of planning and many miles of travel to find locations of interest.  Sometimes they just appear as these sculptures did while I was pursuing other types of subjects.

https://beiceland.is/the-eggs-of-merry-bay

Man in the street

I picked up my first point and shoot digital camera in 2008.  It was a Canon G10.  I used it for street photography along with my more trusted film camera.  I was in San Miguel de Allende Mexico that year and found myself using the little digital camera to capture the fast moving street scenes of that colorful city.  Although I continued to use film as my primary platform for photography until 2011, I was slowing finding myself making the shift to total digital.  Now after nearly five years of working with digital I can respect the unique properties that each format brings to photography.  When I view my black and white prints made with large format film I have an appreciation for the fine detail and tonal separation that was capable with the darkroom process.  A gelatin silver print when made correctly has a unique quality that almost appears to emit light from the print surface.  The hardest obstacle for me to overcome when first starting my digital process, was not being able to touch the image as I was working on it.  The simple fact that my image was locked behind a piece of glass of the monitor was very disturbing to me.  The darkroom has a tactile aspect to it with the handling of the film and paper, and was a critical part of the emotional involvement throughout creative process of making the fine print.  The absences of this relationship to the image is something that I still struggle with at times when trying to determine my approach to how I feel about a subject, and working towards the finished print.  Digital imaging has allowed me to continue photographing as I get older with light weight camera gear and the computer replacing the strenuous work of my darkroom.

The Popsicle Man

We have made serval trips to Mexico over the years and I have always found interesting subjects to photograph.  One day we were out driving the back roads and came across this man riding his bicycle down an old dusty dirt road that led into a small rural town.  I stopped to talk with him knowing he was interesting character to photograph.  He told me that he rides his bike twenty miles each day selling popsicles in the small farm towns in the area.  He was a carefree guy that enjoyed what he does.  We bought a couple of popsicles and talked for awhile.  As he was preparing to ride on he proudly posed for me with a popsicle in hand.  I am always grateful when I am able to meet and photograph interesting people in my travels. 

Working in Black and White

 
     Fruita Flats, Co.

I recently made a trip to Utah and came away with a few new images to work on.  As I review my images in Lightroom, I realize how much I appreciate the days I worked with film and the darkroom process.  Working primarily as a black and white photographer, it requires me to pre visualize, as best as I can, the scene as the finished print while in the field.  When working with Black and White film the process is made easier because the only time I have to deal with color is at the time of exposure.  With the digital process there is a disconnect of what I visualized in the field and what is viewed on my computer screen, because of the RAW image being in color.  It can be a bit more challenging to bring out the initial emotional response I had to the subject in the finished print.  It has been my experience that the film/darkroom process is easier at the start and gets more difficult working towards the finished print. The digital process works in the opposite direction by being more difficult starting with a fuzzy. faded, RAW file that is in color, and then gets easier by utilizing the accurate controls offered by photo software.  For me personally, I try to maintain the thought process I used with Black and White film and apply as much of it as I can to my digital imaging work flow to achive my desired final image.  As photography progresses we will be faced with new equipment and ways we deal with our images.  During these changes we tend to get focused on how we photograph and the equipment we use, rather than the reason why we are inspired to photograph and create.