A couple of weeks ago I made this image at night as the full moon was rising. I had scouted the location earlier in the day to see how I wanted to setup to photograph the church at night. I decided that a wide angle lens was required because of the location I needed to setup the tripod. When I arrived after dark the wind was blowing hard and kicking up dust. There was some shelter from the nearby hillside that blocked some of the bigger gusts. As I prepared my equipment I could see the full moon rising behind the church and I had to work quickly to get my exposure before it rose above the steeple. I placed an LED light inside the church and set my camera for a five minute exposure. Throughout the long exposure I walked around and lit the front of the church with a flashlight. It is important to keep moving with the light to prevent hotspots in the scene. I also try to maintain extreme lighting angles to the plane of the camera in order to create contrast and detail to the subject. In this scene I was 90* to the front of the church wall as I painted with my flashlight. Nighttime photography takes a lot of planning and preparation and can present some real challenges with working in the dark. It usually requires a visit to the location during the day to choose camera location and lighting angles.
Travel and Photography - http://www.johndoddato.net - jadoddato@gmail.com
Tuesday, March 20, 2018
Terlingua Church
A couple of weeks ago I made this image at night as the full moon was rising. I had scouted the location earlier in the day to see how I wanted to setup to photograph the church at night. I decided that a wide angle lens was required because of the location I needed to setup the tripod. When I arrived after dark the wind was blowing hard and kicking up dust. There was some shelter from the nearby hillside that blocked some of the bigger gusts. As I prepared my equipment I could see the full moon rising behind the church and I had to work quickly to get my exposure before it rose above the steeple. I placed an LED light inside the church and set my camera for a five minute exposure. Throughout the long exposure I walked around and lit the front of the church with a flashlight. It is important to keep moving with the light to prevent hotspots in the scene. I also try to maintain extreme lighting angles to the plane of the camera in order to create contrast and detail to the subject. In this scene I was 90* to the front of the church wall as I painted with my flashlight. Nighttime photography takes a lot of planning and preparation and can present some real challenges with working in the dark. It usually requires a visit to the location during the day to choose camera location and lighting angles.
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