Style

 We all develop our own style in photography if we stay with it long enough.  We first start out trying to mimic other photographers whose work we admire. There is nothing wrong with this but at some point we need stop trying to reproduce another photographers work and create our own look.  It starts with an awareness of things that we are drawn to and putting together a body of work that represents our emotional response to what we see. There is nothing mystical or magical about the process.  It is simple seeing and putting your inner person into play. We all have jobs and commitments we have to deal with everyday, But deep within all of us is a hidden person that can create and present something that has meaning to us. The source of this creativity ebbs and flows with intensity and sometimes is not present at all.  It is not that is is not there, but because we have stopped seeing and listening to the things inside of us and take on other duties of the day,  Somedays I walk though the day and look for nothing. My eyes are shut because of negative news and other outside forces that occupy my mind.  Then for no particular reason I wake up and find everything has the potential of creating an interesting image and my mind is flooded with wonderful ideas.  I guess this is a normal and healthy way that the creative minds works.  The down times are frustrating but are periods of rest before a rush of new creative energy comes flooding in. Often my moods follow the same path as my creative and non creative periods.  The above image was made in Mexico of some banners hanging in a small church, 

A mule in front of a mural

 I was traveling around in the wonderful state of Nevada recently and came across this scene of a mule standing in a gravel parking lot in front of a large mural painted on a building.  I did my usual photographer's u-turn in my vehicle and went back to take a photograph.  The mural itself was an interesting subject but the mule added the element the photograph needed.  These mules were orginally left by the miners in the 1800's and their offspring roan free in the area.  After I made my photograph he came over for a hand out, so I gave him a few pretzels I had with me.  These types of images occur spontaneously and it is fun when they happen. 

Transition

Transition is the change from one state to another.  I prefer to photograph when the day is transitioning to night.  The last few minutes of daylight provides a soft glow on the subject and eliminates the harsh shadows caused by the midday sun.  During this time the winds cease and a quietness falls on the land.  In the stillness you become aware of the the changes in nature as the birds fly overhead to roost for the night while the bats come out of their resting place.  When alone in the wildness locations I feel the eeriness of the approaching night as a coyote yelps at the rising moon.  I stay at the location as long a possible before the darkness over takes me and I need to make the trek back to my vehicle or campsite.  These are special times and some of the most rewarding in making photographs and to experience the transition of the day into the night.  The above photograph was made in Nevada. I visited the location during the day to scout around for an evening photo session.  I am always amazed how different things look when I return after the sunsets. 

What makes a good photograph?

 Photography is a medium that offers many choices in how we want to use it.  What makes a good photograph?  It really depends on how you use photography.  For most people it is to record family events and create a history of cherished memories.  The ability to freeze a moment in time is unique to photography.  When I look back at old photographs of past family members, I can appreciate the true power of photography when use to record important people and events in our lives.  Photography also can provide a way to express a desire within us to create and explore the environment we live in.  This is the expressive side of photography that can make us stop and think when viewing an image that inspires us.  These types of images help us to connect to an object or scene in a way we couldn't have otherwise.  The stillness of photography lets us view and examine the object with great detail and emotion.  We all quit seeing as we grow.  We develop a learned recognition of things so we really never have to look at it in detail again. Such as looking at a tree or a chair.  Once we have imprinted our minds at a young age to recognize a tree we only need to glance at a tree a know what it is.  In a sense we stop really seeing and rely more on our sense of recognition. The gift photography can provide a way to persevere the cherished memories of our lives and to awaken our true sense of seeing.  So the good photographs are ones that impacts you the most. 

Nevada Ghost Towns

 In our recent trip to Nevada we searched out old mining ghost towns in the state.  Nevada has a rich history in mining that sprung up in the late 1800's when silver and gold was discovered.  Most of these mining town flourished for a few short years while the mines were productive.  Today there are plenty of the remains of these old ming camps and small towns scattered around the state.  One town we visited was called Berlin, and it is now a state park left in a state of arrested decay.  As is with most of these mining towns, Berlin is located in a remote area.  Another great little mining town and one of the best we found was Gold Point.  It is a well preserved town with a lot of left over mining shacks and equipment laying around to investigate.  The town has six full-time residents and we only saw one while we camped out there.  His name was Walt, and he and his partner own the town.  It was a cool place to hang out for a couple of days.  We pitched our tent out back of the saloon that had 60's music playing 24 hours a day.  It was sort of a surreal feeling because of the emptiness of the town and hearing the music from our youth coming from the old saloon.  As I was out photographing the night sky I would hear in the distance a song I had long forgotten about, and with it came a flood of memories of that time in my life.  Traveling these dusty old back roads and exploring is always rewarding.  The quest of "what's is up around the next corner" leads to discovery of new and exciting places, and a fulfillment dreams. 

Eastern Nevada

 We just returned home from a two week camping trip to Nevada. We have made many tips out west over the years to photograph and camp but never really spent much time in Nevada.  It is a big state with lots of empty land to explore. You can drive for hundreds of miles and never see another car or a town. We could get lost in the vast landscape and stop and pitch our tent most anywhere we wanted.  Most of the state is owned by the BLM - Bureau of Land Management, so you are free to hike and camp anywhere you please. Nevada is mostly a mining state and there are many old abandoned mining towns with ruins from the days of the gold and silver mines.  I made this image in the eastern part of the state and Cathedral Gorge State Park. It is a fascinating place with slot canyons with a moon like landscape. If are an exploring type of person and like quiet and remote areas you will enjoy what Nevada has to offer.  It is a place to get away and clear the mind and to be in a location that is desolate and void of people. It is a good to occasionally off load the concerns of today and reconnect with the things that really matter in life, and for me a place like Nevada is where I go. 

"This image does nothing for me" was the reply - Recognition

    Visual artists are always in the pursuit of discovery and seeing the ordinary in a new way.  How we present our vision or interpretation of a subject to viewer has changed considerably in recent years.  Recognition for a visual artist is essential. How their work is received by the viewing public can impact the direction their work takes, but should it?  I have had a photographer friend for a number of years that I have shared new images with. We both have sent each other images over the years and try to give an honest critique.  I sent him this image recently and the only reply was " This image does nothing for me".  A bit harsh with no explanation.  This got me to thinking how important recognition is for a visual artist and how their work is displayed and viewed.  Back when I was a darkroom photographer I presented my work in the environment of galleries and museums.  There would be an opening night with a gala event.  It was a time to meet and talk with the patrons and visitors, and to gain some feedback about my work.  The direct contact and interaction with the viewers at these events was a meaningful source of recognition.  I rarely do these types of shows today. The galleries and museums have become less of a source in which to view artwork.  Today we work through social media displaying our work to the world on small cellphone screens. We may reach a larger audience but the recognition is superficial without the direct contact with the viewer.  Instagram and other platforms do not provide a space for true art appreciation. Chasing the likes and comments on these sites can have a negative influence on your work if you focus too much in that area. Social media may be a good place to share some recent images of a project, but it can never represent a body of work as when viewed in the setting of distinguished gallery.

My thoughts of the above image are that I like the mysterious environment I was in when making the photograph.  Sometimes we are more inspired by the setting we were in than the image we make of it.  There are things in this image that are distracting but other parts that represents the mysterious feel of the location.  I had a direct connection to the scene where my friend ( the viewer ) in his critique did not.