Majestic Cypress Tree

I am fortunate to live in Florida and near a large lake that has numerous old growth bald cypress trees. These majestic trees have weathered hurricanes and lightning strikes but continue to grow in the lake over the many years. Sadly most cypress trees were harvested by the logging industry years ago, and they cut nearly every cypress tree that could be found. It is a valuable wood and I have seen some very beautiful tables made from huge slabs from a giant cypress trees that once stood tall in the swamps. I have a great affection for these trees because each one has it own unique character about it. Occasionally on hot days I will anchor my small boat in the shade of these trees and listen to the sounds of nature around me. They provide a secure nesting place for the Osprey and other birds native to the area. The Bald Cypress Tree is the only tree that losses it leaves for the entire winter in Florida. Winter time is when I usually prefer to photograph them, because without the leaves you can see the true character of the tree. This particular tree with it’s Spanish moss looks best in the summertime. I called it the guardian tree because of it’s strength and status it portrays .

Traveling in Iceland

I am still finding new and interesting images from a trip I made to Iceland back a few years ago. That appears to be the case with most of my photographic outings. When I first get home from a trip I dive into the images that capture my attention the most and make a small collect of prints. Then I find myself moving onto other projects and abandoning the process of working on image from my recent trip. I find that after a few years of having a large group of images packed away on a hard drive, I find many inspiring images that I overlooked on my initial review when going back through the files. It is exciting to bring new life to old memories and add to an existing body of work. Sometimes we are so excited to cull out what we think are the best images from the trip that we bypass others that may hold a deeper meaning. This above image was taken somewhere in Iceland but I can't remember exactly where. That is because it was a scene that I just happen on when traveling to a more popular location that might have been photographed more but other's. I like the quiet and subtleness of this scene and the emotion I get from it of being in a far off land in a remote area with no other travelers around for miles.

Learning to wait

Learning to wait is a struggle for everyone. It rarely exists in a young child, but as we mature we hopefully develop an increased ability to wait and be patience. Living most of my 74 years in a very small town, waiting was seldom a concern because dealing with crowds and traffic was never an issue. My little town didn’t have a traffic light, and waiting in line to buy something was a rare event. Now living my retirement years in a community with a high density population, I have to learn to deal with waiting and the frustration that comes with that. It is a certaiinty that humans have little capacity to wait. I see it in nearly every situation I am in when out in public. Rude people are people who have no capacity to wait, and sadly as the speed of our lives quicken there will be more rude people to deal with in our lives. So how does all this refer to photography and the process to create? As photographers the more we learn to wait and be patience the better our work will become. Unlike other artist, we have to wait on the light, the weather conditions, and the potential obstacles to get to the location of where we want to make an image. Looking through the many years of the images I have made in various locations I think about the time that was required to get to the location and then wait for the good light to hopefully appear. I sort of equate photography with fishing. You buy all the right equipment. get up early and head out with great expectations for the day, but more times than not you come home empty handed. No fish or no photographs. In my early years this use to frustrate me as a wasted day with nothing to show for it. But as the years passed I realized that the special images, the true keepers, was well worth the wait an effort. Just like fishing, you always remember that big fish you once caught, and when heading out, that is hope and goal. You learn over time that if you come home empty handed it is all part of the experience of pursuing your passion. I made this image in Newfoundland on Fogo Island. I rolled out of my warm comfortable bed on a cool morning and drove out in the early morning light only to find a dense fog at the location I wanted to photograph in. A bit discouraging, but I waited as the sun started to rise over the North Atlantic ocean and burned through the fog. The image I was hoping for was turned out better than expected and it is all because I was willing to wait at the location.

A quiet time of day

I am always in search of a remote quiet location to do my photography. The stillness lets me take my time to connect with the environment that I am in. I don't like rushing around when doing landscape photography. Being rushed often leads to making numerous poorly composed images that just fill up a memory card. It is better to make a few good images that represents the emotions you feel about the subject and location, than just to fire away hoping that you get something that inspires. I learned to take a slow approach with landscape photography with my many years of working with a film and a large format camera. It is easy to fall into bad habits with camera that think too much for you. I pretty much use my mirrorless cameras in fully manual mode. I really don't bother to learn the multiple features that modern digital cameras offer. I find it too difficult to be occupied with many functions and settings that are built into these cameras for my style of photography. Certainly if I was still doing professional sports photography I would utilize many of the features these new cameras offer. This image is from a Canada trip around Lake Superior. It was long after sunset on a calm and quiet summers night.

While traveling in Canada last summer around the North side of Lake Superior. I found some interesting hikes that took me along some streams flowing down off the nearby mountains. It was a cool and rainy month of August and the waterfalls were full of energy. On my hike I noticed from a distance a rock that appeared to look like a profile of a face on the side of wall. I stopped and took out my rectangle viewing card that I always carry with me, and determined I would need a 400 mm lens to get the subject framed correctly. I found a good spot for my tripod and a comfortable big rock to sit on, and took my time just enjoying the rushing sound of the water and the solitude of the location. The rock figure looks like an Indian Chief or an old fur trapper that lived in the area centuries ago. As I was sitting there after making my photograph a young boy and his Mother saw me and wondered what I was photographing. I pointed out the face I saw on the rock wall and I could tell they didn't see it. So I let them look at the view finder of my camera and they were both astonished that they would have missed this scene on their hike. It is always gratifying to come upon the unexpected when our hiking and having my camera gear with me.

Winter time and bare trees

I always enjoy photographing trees without leaves. To me a tree with just bare branches has more presence. Certaily tree with their fall corlors make for a beautiful photographs, but I find bare trees have more charactor and therefor a more interesting subject. I made this image during the winter months in Florida when the Bald Cypress trees loose their leaves.

Another 3am image

The older I get the less I sleep.  At times it is frustrating dealing with insomnia but I find that the wee hours of the morning gives me the quiet time to work on an image without any distractions.  I think back of my many years working alone in the darkroom and it was a space of little noise or interruptions.  Once I entered the space I had a mind set and focus of working on printing an image.  I knew I had maybe three to four hours of a good concentration level before I tired out. After that I would mix chemicals or do other mundane task the darkroom work required.  The digital darkroom is much harder to maintain a steady concentration when working on an image.  There are frequent distractions that come with being on a computer and doing photography.  A simple notice of an incoming email message will take me out of my processing mindset and I end up just saving the image off to work on later.  If you take your photography seriously you will need to find a way to work without frequent interruptions.  The steps to processing of an image takes analysis, execution, and finalization in order to achieve a satisfactory image.  A disruption in any phase will most likely end up with falling short of achieving a successful image.  So, do I like working on my images when I should be sleeping? No, but it does help me produce some of my favorite images.